It follows the 12 bar blues forms so you can use the quick change on the second measure as shown below in the key of A minor.
GUITAR CHORD PROGRESSION GENERATOR APK FREE
Feel free to use minor 7 for the minor chords.
We just change the I and IV to a minor chord. This example also uses a much different feel. Note that this example generally substitutes dominant 9th chords for the dominant 7th chords of the form. 12 Bar Blues FormĬhange the second measure to a IV7. I show the form with a V7 for general uses, but the notated example shows a I7 because it does not repeat. The last measure ends on a V7 when you repeat and a I7 when you end the song. It is commonly played with a shuffle eighth note feel. This example is in the key of C, with C7, F7, G7. I won’t go into all of them, but this should give you a start. There are many variants that build upon this form. One of my favorite slow blues songs is Red House by Jimi Hendrix. The basic 12 bar blues using dominant 7 chords and the minor blues, which is often played slowly. I am going to present two blues progressions. Finish with a C major instead of a Dm7 if you want a finished sound. Try this minor progression with a ii7b5 and an A+7 (augmented 7). You can start this one with a I-ii-V first, but the key is that you are expanding on the vi-ii-V-I. This implies the use of the harmonic minor scale (if you want to improvise over it). You can spice it up a bit by switching the first chord to a minor7b5. I label it as the iii-IV7, but the iii-IV7 is really a ii-V of the 2 nd degree (which is minor). The difference is that Jazz uses seventh and extended chords more often. By itself, it is one of the 50’s progression variants. This is also commonly used among other chords in Jazz. It was even part of one of the 50’s progressions, but this progression uses seventh chords. Perhaps the most common progression in Jazz is the ii-V-I. The big difference is that Jazz musicians use seventh chords and other harmonies to add complexity. You will notice that similar sequences were used in the 50’s progression. I will present two of the most commonly used Jazz Progressions. Often, they are modified and expanded upon. Notice that it uses a major III instead of a minor iii. The example follows this chord progression in the key of C.ĭescend down the fretboard using these chords for a flamenco sound. You’ll hear it in Don’t Stop Believin’, House of the Rising Sun, and more. This is an extremely popular progression. Usually this is played in D, but it translates to guitar more easily in the key of G. We’ll talk about that in the Jazz Progressions section.
This is a variant of the 50’s progression that I prefer. The Sleep Walk by Santo & Johnny variant switches the IV from a major to a minor chord, which is symbolized by the lower-case numerals. This is the classic 50’s progression in the Key of C. You can use the infographic below to help you remember all three variants. I’m going to give you a few examples using the major and minor CAGED chords and F chord thrown in. I like to start with the 50’s progression because it is recognizable, playable in open position, and it only requires 4 chords. This lesson will cover the 50’s progression, the Let It Be progression, jazz progressions, blues progressions, and more This lesson is loaded, so let’s get started! This lesson will teach you progressions in several styles so you can learn from known progressions and styles.